- #MAGIC LANTERN CINESCOPE RATIO 1080P#
- #MAGIC LANTERN CINESCOPE RATIO ISO#
- #MAGIC LANTERN CINESCOPE RATIO PROFESSIONAL#
- #MAGIC LANTERN CINESCOPE RATIO SERIES#
While the triunials and biunials can be expensive, a good working lantern, big enough to handle the standard large-format slides, can be found on eBay, with careful searching, for under $100, and a basic working children’s lantern for under $50. As yet there is no published description covering all these different kinds of lanterns. At the bottom were inexpensive single lens lanterns, and the very popular children’s lanterns which were a favorite Christmas present.
#MAGIC LANTERN CINESCOPE RATIO PROFESSIONAL#
At the top end were the exotic “triunials” and “biunials” which were three and two-lens lanterns used by professional showmen. Several hundred companies made their own brands, often in a bewildering array of different models. Lanterns became ubiquitous in American culture. By the turn to the 20th century, electric illumination was introduced, which spread the lantern even further. Kerosene lamps were not nearly as bright, but they were so safe they could be used by children, leading to wide-spread use in churches, schools, fraternal societies, and in toy lanterns. It was dangerous, but produced a light that was strong enough to project an image before thousands of people, leading to large shows by professional showmen. “Limelight” was created by heating a piece of limestone in burning gas until it became incandescent. In the mid 19th century, two new forms of illumination were developed which led to an explosion of lantern use.
#MAGIC LANTERN CINESCOPE RATIO 1080P#
Unified: LiveV -> ClearScreen -> WhenIdle (or Display -> Clear when Idle) AJ: Kill Overlay While these devices are capable of recording 1080p 422 signals, the HDMI output from the Canon HDMI is limited to 1620x1080 (3:2. was in Salem, Massachusetts, on December 3, 1743, “for the Entertainment of the Curious.” But the source of light for lanterns in this period-usually oil lamps-was still weak, and as a consequence the audiences were small. Magic Lantern allows you to use an external HDMI recording device, such as Atomos Ninja or Hyperdeck Shuttle, by removing the focus box and other graphics from the display. The earliest known “lanthorn show” in the U. Even in the earliest period, performances contained images that moved-created with moving pieces of glass.īy the 18th century the lantern was a common form of entertainment and education in Europe. The name “magic lantern” comes from the experience of the early audiences who saw devils and angels mysteriously appear on the wall, as if by magic. Early drawing of a magic lantern in use from Zahn’s Oculus Artificialis Teledioptricus Sive Telescopium (1702). The first magic lanterns were illuminated by candles, but as technology evolved they were lit by increasingly powerful means. It was the earliest form of slide projector and has a long and fascinating history.
#MAGIC LANTERN CINESCOPE RATIO SERIES#
If you want to check out the files yourself, here are a series of matched pairs of 5D DNGs, and GH5 V-Log TIFFS.ĭ/open?id=0B1e圎pCRAfgFdi1FZ3hma09YZmsĭ/open?id=0BwzsbjMgrAwzTFJZby0xSTV6VmMĮoshd.The magic lantern was invented in the 1600’s, probably by Christiaan Huygens, a Dutch scientist. It seems like the GH5 has around 0.66 stops more info in the highlights at the same exposure as the 5D, so I shot it one stop over. I used shutter speed to control exposure, so motion blur is different between shots. cases call for lossy compression (8:1 or better) and constant bit rate.
#MAGIC LANTERN CINESCOPE RATIO ISO#
The GH5 was 10 bit V-Log, Cinema 4K, ISO 400, aperture f4 (roughly equivalent) on the Leica 12-60. I will also address Magic Lantern's raw mode in Canon DSLRs, because it's such. ISO was 100, and aperture at f5.6 on the Canon 24-105. I shot the 5D3 at 3520 x 1320 (the maximum resolution I can get that's both continuous and at a sensible aspect ratio) - this has a crop factor of 1.63x. So I wanted to see if I could tweak the GH5's VLog colour to be more similar to the colour I get from Magic Lantern Cinelog-C, processed via Adobe Camera Raw Magic Lantern Cinema is a 501(c)(3) organization, with an IRS ruling year of 2018, and donations are tax-deductible. Although the GH5's colour is an improvement on its predecessors, the 5D3 is nicer looking to me. I do a lot of documentary and corporate stuff and wanted to do more handheld, so I got the GH5 for its IBIS, 10bit V-Log, 4K and general ease of use. I've been using 5D3 Magic Lantern RAW for a few years now and it's my personal gold standard for image quality as I'm very familiar with it, can predict the results I'll get in various situations and have developed my own look that I like using in post.
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